{"id":2512,"date":"2006-07-05T15:01:58","date_gmt":"2006-07-05T07:01:58","guid":{"rendered":"https:\/\/absolutemusik.com\/?p=2512"},"modified":"2023-03-15T15:53:38","modified_gmt":"2023-03-15T07:53:38","slug":"rigoletto-king-of-tenor","status":"publish","type":"post","link":"https:\/\/absolutemusik.com\/en\/rigoletto-king-of-tenor\/","title":{"rendered":"Rigoletto & King of Tenor"},"content":{"rendered":"
\n

(NOTE: English translation will be available later.)<\/p>\n

\u6709\u4e00\u5929\u665a\u4e0a\uff0c\u6709\u4e00\u4f4d\u670b\u53cb\u554f\u6211\u559c\u6b61\u90a3\u4e00\u985e\u97f3\u6a02\u4f5c\u54c1\uff0d\uff0d\u6211\u7acb\u523b\u56de\u7b54\u6b4c\u5287\u3002<\/p>\n

\u8ac7\u5230\u6211\u6700\u559c\u611b\u7684\u6b4c\u5287\uff0c\u6211\u7684\u9996\u9078\u662f\u300a\u5f04\u81e3\u300b(Rigoletto)<\/strong>\uff0d\uff0d\u4e3b\u8981\u662f\u5c0d\u8868\u6f14\u8005\u7684\u8981\u6c42\u662f\u975e\u5e38\u9ad8\u3002<\/p>\n

\u82e5\u8981\u9078\u7b46\u8005\u5fc3\u4e2d\u7684\u7d93\u5178\uff0c\u61c9\u8a72\u6700\u597d\u7684\u9084\u662f\u5409\u91cc(Beniamino Gigli)\u7684\u8001\u820a\u9304\u97f3\uff0c\u9019\u4f4d\u4e2d\u97f3\u6b4c\u738b\u5728\uff12\uff10\u5e74\u4ee3\u6642\u7684\u55ae\u8072\u9053\u9304\u97f3\uff0c\u53ef\u4ee5\u8aaa\u662f\u51fa\u795e\u5165\u5316\u3001\u7121\u4eba\u80fd\u6bd4\uff1b\u6bcf\u53e5\u6b4c\u8a5e\u90fd\u5531\u51fa\u4e86\u300c\u8868\u60c5\u300d\uff0c\u4e0d\u7528\u770b\u3001\u5149\u662f\u807d\u8457\uff0c\u4e5f\u53ef\u611f\u53d7\u5230\u5176\u60c5\u611f\u6f14\u7e79\u4e4b\u8b8a\u5316\u3002<\/p>\n

\u6bd4\u8f03\u53ef\u60dc\u7684\u662f\uff0c\u8981\u8cb7\u5409\u91cc\u7684\u5531\u7247\u662f\u76f8\u7576\u56f0\u96e3\uff0c\u5c24\u5176\u662f\u4e00\u6574\u5957\u6b4c\u5287\u6216\u8072\u6a02\u7684\uff1b\u7b46\u8005\u4e4b\u524d\u807d\u7684\u9ed1\u81a0\uff0c\u53ea\u662f\u670b\u53cb\u501f\u4f86\u7684\u73cd\u85cf\u3002<\/p>\n

\u4ee5\u4e0b\u7684\u662f\u5176\u4e2d\u4e00\u4e9b\u8f03\u6613\u5728\u5e02\u9762\u627e\u5230\u7684\u5409\u91cc\u7cbe\u9078\u5531\u7247\uff1a<\/strong>
\n\"\" \"\"<\/p>\n

\u5176\u6b21\uff0c\u53ef\u4ee5\u9078\u591a\u660e\u54e5(Placido Domingo)\u7684\u7248\u672c\uff0c\u9019\u4e00\u500b\u6709\u5f88\u591a\u570b\u5167\u6a02\u8a55\u4eba\u8aaa\u6210\u6700\u597d\u7684\u7248\u672c\uff0d\uff0d\u5728\u672c\u4eba\u6709\u5e78\u6b23\u8cde\u904e\u5409\u91cc\u7684\u6f14\u7e79\u5f8c\uff0c\u591a\u660e\u54e5\u6700\u591a\u4e5f\u53ea\u53ef\u4ee5\u8aaa\u5f97\u4e0a\u662f\u4e0d\u932f\u3002<\/p>\n

\u591a\u660e\u54e5\u7684\u5f04\u81e3
\n\"\"<\/p>\n

\u53e6\u5916\uff0c\u5df4\u6208\u683c\u63d0(Luciano Pavarotti)\u7684\u9304\u97f3\uff0c\u4e5f\u662f\u4e00\u500b\u8457\u540d\u7684\u7248\u672c\u3002\u5c31\u672c\u4eba\u7684\u611f\u89ba\u800c\u8a00\uff0c\u5df4\u6208\u683c\u63d0\u7684\u529f\u529b\u548c\u4ee5\u4e0a\u7684\u76f8\u6bd4\uff0c\u5be6\u662f\u6709\u6240\u4e0d\u53ca\uff0c\u5c11\u4e86\u8868\u60c5\u548c\u6b4c\u8072\u7a0d\u70ba\u751f\u786c\u3002\u4f46\u82e5\u4f60\u662f\u5df4\u6208\u683c\u63d0\u7684\u6a02\u8ff7\uff0c\u6211\u6703\u5efa\u8b70\u9019\u4e00\u500b\u9304\u97f3\uff0c\u9019\u61c9\u662f\u4ed6\u7684\u6700\u597d\u4e00\u6b21\u6f14\u51fa\u3002\u5728\u5716\u4e2d\u6240\u793a\u7684\u7248\u672c\uff0c\u662f\u65e5\u672c\u8457\u540d\u6a02\u8a55\u4eba\u9f4b\u85e4\u5b8f\u55e3\u5728\u300aCD\u512a\u79c0\u9304\u97f3\u76e4-BEST800\u5167\u63a8\u4ecb\u300b\u3002<\/p>\n

\u5df4\u6208\u683c\u63d0\u7684\u5f04\u81e3
\n\"\"<\/p>\n

\u6700\u5f8c\uff0c\u7b46\u8005\u6709\u4e00\u500b\u5efa\u8b70\uff0c\u5982\u679c\u4f60\u559c\u6b61\u6b23\u8cde\u8072\u6a02\u7684\u8a71\uff0c\u4e0d\u59a8\u628a\u6240\u6709\u7684\u5409\u91cc\u7684\u5531\u7247\u90fd\u8cb7\u56de\u5bb6\u6b23\u8cde\uff0c\u6211\u76f8\u4fe1\u5f88\u96e3\u6709\u4eba\u6bd4\u4ed6\u66f4\u597d\u3002<\/p>\n<\/div>\n

\n

 <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

(NOTE: English translation will be available later.) 有一天晚上，有一位朋友問我喜歡那一類音樂作品－－我立刻回答歌劇。 談到我最喜愛的歌劇，我的首選是《弄臣》(Rigoletto)－－主要是對表演者的要求是非常高。 若要選筆者心中的經典，應該最好的還是吉里(Beniamino Gigli)的老舊錄音，這位中音歌王在２０年代時的單聲道錄音，可以說是出神入化、無人能比；每句歌詞都唱出了「表情」，不用看、光是聽著，也可感受到其情感演繹之變化。 比較可惜的是，要買吉里的唱片是相當困難，尤其是一整套歌劇或聲樂的；筆者之前聽的黑膠，只是朋友借來的珍藏。 以下的是其中一些較易在市面找到的吉里精選唱片： 其次，可以選多明哥(Placido Domingo)的版本，這一個有很多國內樂評人說成最好的版本－－在本人有幸欣賞過吉里的演繹後，多明哥最多也只可以說得上是不錯。 多明哥的弄臣 另外，巴戈格提(Luciano Pavarotti)的錄音，也是一個著名的版本。就本人的感覺而言，巴戈格提的功力和以上的相比，實是有所不及，少了表情和歌聲稍為生硬。但若你是巴戈格提的樂迷，我會建議這一個錄音，這應是他的最好一次演出。在圖中所示的版本，是日本著名樂評人齋藤宏嗣在《CD優秀錄音盤-BEST800內推介》。 巴戈格提的弄臣 最後，筆者有一個建議，如果你喜歡欣賞聲樂的話，不妨把所有的吉里的唱片都買回家欣賞，我相信很難有人比他更好。  <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[345],"tags":[],"class_list":["post-2512","post","type-post","status-publish","format-standard","hentry","category-music-appreication-notes"],"aioseo_notices":[],"yoast_head":"\nRigoletto & King of Tenor - 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