{"id":2522,"date":"2007-01-10T15:23:09","date_gmt":"2007-01-10T07:23:09","guid":{"rendered":"https:\/\/absolutemusik.com\/?p=2522"},"modified":"2023-03-15T16:11:12","modified_gmt":"2023-03-15T08:11:12","slug":"listening-the-new-year-concert-to-prepare-challenges-coming","status":"publish","type":"post","link":"https:\/\/absolutemusik.com\/en\/listening-the-new-year-concert-to-prepare-challenges-coming\/","title":{"rendered":"Listening the New Year Concert to Prepare Challenges Coming"},"content":{"rendered":"

(NOTE: English translation will be available later.)<\/p>\n

\u525b\u8e0f\u51652007\u5e74\uff0c\u7b46\u8005\u5728\u9664\u5915\u665a\u4e0a\u8207\u670b\u53cb\u4e00\u76f4\u6e21\u904e\u4e86\u5feb\u6a02\u7684\u4e00\u591c\uff0c\u5230\u5143\u65e6\u65e5\u7684\u65e9\u4e0a\u597d\u50cf\u6709\u9ede\u75b2\u7d2f\u7684\u611f\u89ba\u3002<\/p>\n

\u70ba\u4e86\u5728\u4e00\u5e74\u88e1\u7684\u7b2c\u4e00\u5929\uff0c\u8981\u76e1\u5feb\u628a\u9019\u611f\u89ba\u6d88\u9664\uff0c\u4fbf\u627e\u4f86Carlos Keiber\u6307\u63ee\u7684\u65b0\u5e74\u97f3\u6a02\u6703\u7684DVD\u4f86\u6b23\u8cde\uff1b\u672c\u4eba\u4fbf\u628a\u76f4\u63a5\u8df3\u5230\u5c3e\u4e8c\u7684\u90a3\u4e00\u6bb5(An der schonen, blauen Donau)\uff0c\u597d\u50cf\u88e1\u9762\u7684\u73fe\u5834\u89c0\u773e\u4e00\u8d77\u62cd\u624b\u638c\u3002<\/p>\n

\u5176\u5be6\uff0c\u672c\u4eba\u662f\u975e\u5e38\u6b23\u8cde\u7d04\u7ff0\u53f2\u7279\u52de\u65af\u7684\u9019\u4e00\u4f5c\u54c1\uff0c\u4ed6\u9019\u4e00\u6a02\u7ae0\u53ef\u4ee5\u4f7f\u89c0\u773e\u6709\u6a5f\u6703\u4e00\u8d77\u53c3\u8207\uff0c\u81ea\u5df1\u4e5f\u6210\u70ba\u8868\u73fe\u8005\uff0c\u4ee4\u53f0\u4e0b\u7684\u89c0\u773e\u66f4\u52a0\u6295\u5165\u3002<\/p>\n

\u8aaa\u8d77\u65b0\u5e74\u97f3\u6a02\u6703\uff0c\u6709\u5f88\u591a\u6307\u63ee\u5728\u767e\u5341\u5e74\u4f86\uff0c\u4f5c\u51fa\u4e0d\u5c11\u7d93\u5178\u7684\u6f14\u51fa\u3002
\n\u7531\u8f03\u65e9\u671f\u7684Bokobsky, Mazeel, Karajan, Carlos Kieber, Abbado, \u5230\u8fd1\u4f86\u7684 Owaza\u6307\u63ee\u7684\u7248\u672c\u7b49\u7b49\uff0e\uff0e\uff0e<\/p>\n

\u4f46 \u672c\u4eba\u8a8d\u70ba\u6578\u5341\u8a08\u7684\u7248\u672c\u88e1\u9762\uff0c\u6700\u51fa\u8272\u7684\u53ea\u6709\u5169\u500b\uff0c\u90fd\u662fCarlos Kieber\u7684\uff0c\u9019\u53ef\u80fd\u662f\u7b46\u8005\u5c0d\u9019\u6307\u63ee\u7684\u7279\u5225\u504f\u611b\u2500\u2500\u5206\u5225\u662f\u4e00\u4e5d\u516b\u4e5d\u5e74\u53ca\u4e00\u4e5d\u4e5d\u4e8c\u5e74\u7684\u5169\u6b21\u6f14\u51fa\u3002\u5169\u500b\u6f14\u51fa\u7576\u4e2d\uff0c\u4e5d\u4e8c\u5e74\u7684\u90a3\u6b21\u662f\u53ef\u8b02\u5230\u4e86\u6700\u9ad8\u5883\u754c\uff0c\u4ed6\u662f\u5728\u4eab \u53d7\u97f3\u6a02\u591a\u4e8e\u6307\u63ee\uff0c\u5927\u90e8\u4efd\u6642\u9593\u662f\u4efb\u7531\u6a02\u5718\u81ea\u7531\u7684\u767c\u63ee\uff0c\u8072\u97f3\u7570\u5e38\u7684\u6d3b\u6f51\u3002\u4e0d\u904e\uff0c\u5f9e\u50b3\u7d71\u7684\u6a19\u6e96\u4f86\u770b\uff0c\u4ee5\u516b\u4e5d\u5e74\u7684\u4e00\u6b21\uff0c\u8a72\u8aaa\u662f\u53f2\u4e0a\u6700\u51fa\u8272\u7684\u4e00\u6b21\u65b0\u5e74\u97f3\u6a02\u6703\uff0c\u6a02\u5718\u8072 \u97f3\u975e\u5e38\u6574\u9f4a\u3001\u76f8\u7576\u9192\u795e\u3002<\/p>\n

\"\"<\/p>\n

\u6709\u4eba\u6703\u63d0\u51fa\u5361\u62c9\u63da\u4e5d\u96f6\u5e74\u7684\u6642\u5019\u662f\u5178\u7bc4\uff0c\u4f46\u8981\u7559\u610f\u4ed6\u5728\u6307\u63ee\u4e4b\u6642\uff0c\u523b\u610f\u5730\u628a\u6a02\u5718\u7684\u8072\u97f3\u58d3\u4f4e\u2500\u2500\u5f15\u81f4\u767c\u8072\u662f\u8f03\u70ba\u62d8\u8b39\u3002\u56e0\u70ba\u4ed6\u597d\u50cf\u8981\u540c\u6642\u9593\u7167\u9867\u73fe\u5834\u89c0\u773e\u7684\u62cd\u638c\u8072\uff0c\u53c8\u8981\u5e73\u8861\u6a02\u5718\u8207\u638c\u8072\u7684\u97f3\u91cf\uff0c\u53cd\u800c\u51fa\u4e86\u4e00\u4e01\u9ede\u4e0d\u81ea\u7136\u7684\u611f\u89ba\u3002<\/p>\n

\"\"<\/p>\n

\u5728\u672c\u4eba\u7684\u5fc3\u76ee\u4e2d\uff0c\u4e00\u500b\u597d\u7684\u6307\u63ee\u662f\u53ef\u4ee5\u628a\u6a02\u5718\u6240\u6709\u7684\u80fd\u91cf\u91cb\u653e\u51fa\u4f86\u2500\u2500Carlos Kieber\u5728\u9019\u4e00\u65b9\u9762\u662f\u505a\u5230\u6beb\u7121\u7455\u75b5\u3002<\/p>\n","protected":false},"excerpt":{"rendered":"

(NOTE: English translation will be available later.) 剛踏入2007年，筆者在除夕晚上與朋友一直渡過了快樂的一夜，到元旦日的早上好像有點疲累的感覺。 為了在一年裡的第一天，要盡快把這感覺消除，便找來Carlos Keiber指揮的新年音樂會的DVD來欣賞；本人便把直接跳到尾二的那一段(An der schonen, blauen Donau)，好像裡面的現場觀眾一起拍手掌。 其實，本人是非常欣賞約翰史特勞斯的這一作品，他這一樂章可以使觀眾有機會一起參與，自己也成為表現者，令台下的觀眾更加投入。 說起新年音樂會，有很多指揮在百十年來，作出不少經典的演出。 由較早期的Bokobsky, Mazeel, Karajan, Carlos Kieber, Abbado, 到近來的 Owaza指揮的版本等等．．． 但 本人認為數十計的版本裡面，最出色的只有兩個，都是Carlos Kieber的，這可能是筆者對這指揮的特別偏愛──分別是一九八九年及一九九二年的兩次演出。兩個演出當中，九二年的那次是可謂到了最高境界，他是在享 受音樂多于指揮，大部份時間是任由樂團自由的發揮，聲音異常的活潑。不過，從傳統的標準來看，以八九年的一次，該說是史上最出色的一次新年音樂會，樂團聲 音非常整齊、相當醒神。 有人會提出卡拉揚九零年的時候是典範，但要留意他在指揮之時，刻意地把樂團的聲音壓低──引致發聲是較為拘謹。因為他好像要同時間照顧現場觀眾的拍掌聲，又要平衡樂團與掌聲的音量，反而出了一丁點不自然的感覺。 在本人的心目中，一個好的指揮是可以把樂團所有的能量釋放出來──Carlos Kieber在這一方面是做到毫無瑕疵。<\/p>\n","protected":false},"author":1,"featured_media":2239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[345],"tags":[],"class_list":["post-2522","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-appreication-notes"],"aioseo_notices":[],"yoast_head":"\nListening the New Year Concert to Prepare Challenges Coming - absolutemusik.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/absolutemusik.com\/en\/listening-the-new-year-concert-to-prepare-challenges-coming\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Listening the New Year Concert to Prepare Challenges Coming - absolutemusik.com\" \/>\n<meta property=\"og:description\" content=\"(NOTE: English translation will be available later.) 剛踏入2007年，筆者在除夕晚上與朋友一直渡過了快樂的一夜，到元旦日的早上好像有點疲累的感覺。 為了在一年裡的第一天，要盡快把這感覺消除，便找來Carlos Keiber指揮的新年音樂會的DVD來欣賞；本人便把直接跳到尾二的那一段(An der schonen, blauen Donau)，好像裡面的現場觀眾一起拍手掌。 其實，本人是非常欣賞約翰史特勞斯的這一作品，他這一樂章可以使觀眾有機會一起參與，自己也成為表現者，令台下的觀眾更加投入。 說起新年音樂會，有很多指揮在百十年來，作出不少經典的演出。 由較早期的Bokobsky, Mazeel, Karajan, Carlos Kieber, Abbado, 到近來的 Owaza指揮的版本等等．．． 但 本人認為數十計的版本裡面，最出色的只有兩個，都是Carlos Kieber的，這可能是筆者對這指揮的特別偏愛──分別是一九八九年及一九九二年的兩次演出。兩個演出當中，九二年的那次是可謂到了最高境界，他是在享 受音樂多于指揮，大部份時間是任由樂團自由的發揮，聲音異常的活潑。不過，從傳統的標準來看，以八九年的一次，該說是史上最出色的一次新年音樂會，樂團聲 音非常整齊、相當醒神。 有人會提出卡拉揚九零年的時候是典範，但要留意他在指揮之時，刻意地把樂團的聲音壓低──引致發聲是較為拘謹。因為他好像要同時間照顧現場觀眾的拍掌聲，又要平衡樂團與掌聲的音量，反而出了一丁點不自然的感覺。 在本人的心目中，一個好的指揮是可以把樂團所有的能量釋放出來──Carlos Kieber在這一方面是做到毫無瑕疵。\" \/>\n<meta property=\"og:url\" content=\"https:\/\/absolutemusik.com\/en\/listening-the-new-year-concert-to-prepare-challenges-coming\/\" \/>\n<meta property=\"og:site_name\" content=\"absolutemusik.com\" \/>\n<meta property=\"article:published_time\" content=\"2007-01-10T07:23:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-15T08:11:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/absolutemusik.com\/wp-content\/uploads\/2007\/01\/Vienna-NewYearConcert.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/absolutemusik.com\/en\/listening-the-new-year-concert-to-prepare-challenges-coming\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/listening-the-new-year-concert-to-prepare-challenges-coming\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950\"},\"headline\":\"Listening the New Year Concert to Prepare Challenges Coming\",\"datePublished\":\"2007-01-10T07:23:09+00:00\",\"dateModified\":\"2023-03-15T08:11:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/listening-the-new-year-concert-to-prepare-challenges-coming\/\"},\"wordCount\":35,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950\"},\"articleSection\":[\"Music Appreciation Notes (Webmaster)\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/absolutemusik.com\/en\/listening-the-new-year-concert-to-prepare-challenges-coming\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/absolutemusik.com\/en\/listening-the-new-year-concert-to-prepare-challenges-coming\/\",\"url\":\"https:\/\/absolutemusik.com\/en\/listening-the-new-year-concert-to-prepare-challenges-coming\/\",\"name\":\"Listening the New Year Concert to Prepare Challenges Coming - 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