{"id":2539,"date":"2008-02-28T15:30:40","date_gmt":"2008-02-28T07:30:40","guid":{"rendered":"https:\/\/absolutemusik.com\/?p=2539"},"modified":"2023-03-15T17:34:51","modified_gmt":"2023-03-15T09:34:51","slug":"mozart-die-zauberflote-2-excellent-recordings","status":"publish","type":"post","link":"https:\/\/absolutemusik.com\/en\/mozart-die-zauberflote-2-excellent-recordings\/","title":{"rendered":"Mozart: die Zauberflote – 2 Excellent Recordings"},"content":{"rendered":"

(Note: English translation will be available later.)<\/p>\n

\u63d0\u5230\u83ab\u672d\u7279\u7684\u8a71\uff0c\u4ed6\u6240\u4f5c\u7684\u7d93\u5178\u4f5c\u54c1\u771f\u4e0d\u5c11\uff0c\u7576\u4e2d\u9b54\u7b1b\u662f\u5176\u4e2d\u4e00\u500b\u767e\u807d\u4e0d\u53ad\u7684\u540d\u4f5c\u3002<\/p>\n

\u4eca\u65e5\u8981\u70ba\u5927\u5bb6\u4ecb\u7d39\u7684\u5169\u500b\u7248\u672c\uff0c\u5206\u5225\u662f\u7531\u8c9d\u59c6<\/strong>(Bohm)\u548c\u99ac\u5229\u7d0d<\/strong>(Sir Neville Marriner)\u6307\u63ee\u7684\u2500\u2500\u9019\u5169\u500b\u7248\u672c\u90fd\u53ef\u8aaa\u662f\u5ee3\u88ab\u80af\u5b9a\u7684\u7bc4\u4f8b\u3002\u7b46\u8005\u4e5f\u6709\u807d\u904e\u5176\u4ed6\u7684\u6307\u63ee\uff0c\u597d\u50cf\u5176\u4ed6\u5531\u7247\u7684\u6c34\u5e73\uff0c\u5c24\u5176\u5728\u6b4c\u5531\u65b9\u9762\uff0c\u6709\u4e00\u5b9a\u7684\u8ddd\u96e2\u3002\u672c\u4eba\u5176\u5be6\u4e5f\u5e0c\u671b\u53ef\u4ee5\u627e\u4e0a\u5176\u4ed6\u7684\u512a\u79c0\u76e4\u70ba\u5927\u5bb6\u4ecb\u7d39\u3002<\/p>\n

\u9019\u4e00\u6b4c\u5287\u8981\u6c42\u767c\u8072\u8981\u5920\u539a\uff0c\u7537\u8072\u8981\u76f8\u5c0d\u6bd4\u8f03\u96c4\u58ef\uff0c\u4e5f\u53ef\u8aaa\u662f\u5c0d\u6f14\u5531\u8005\u4e00\u5927\u8003\u9a57\u3002\u7e31\u7136\u6709\u597d\u7684\u97f3\u6a02\uff0c\u6c92\u6709\u4e00\u4e9b\u51fa\u773e\u7684\u6b4c\u5531\u5bb6\uff0c\u662f\u4e0d\u53ef\u80fd\u9054\u5230\u826f\u597d\u7684\u6548\u679c\u3002<\/p>\n

\u5982\u679c\u8981\u6578\u6307\u63ee\u83ab\u672d\u7279\u7684\u5c08\u5bb6\uff0c\u8c9d\u59c6<\/strong>(Bohm)\u53ef\u4ee5\u8aaa\u662f\u7576\u4e4b\u7121\u6127\u3002\u82e5\u8981\u4ecb\u7d39\u7684\u7248\u672c\uff0c\u662f\u5728\u4e00\u4e5d\u516d\u56db\u5e74\u6536\u9304\u7684\uff0c\u8868\u6f14\u7684\u6a02\u5718\u662f\u67cf\u6797\u611b\u6a02\u6a02\u5718\uff0c\u5176\u7279\u6027\u662f\u7537\u8072\u65b9\u9762\u7279\u5225\u51fa\u8272\u2500\u2500\u5305\u62ec\u4e86\u6eab\u5fb7\u5229\u5e0c\u5854\u7c73\u8afe<\/strong>(Fritz Wunderlich)\u3002\u9019\u4f4d\u7537\u9ad8\u97f3\u662f\u7684\u4e00\u751f\u662f\u4e00\u500b\u50b3\u5947\uff0c\u66f4\u662f\u4e00\u500b\u60b2\u5287\uff0c\u4e09\u5341\u516d\u6b72\u6642\u56e0\u4e00\u4ef6\u4e0d\u5e78\u7684\u4e8b\u800c\u53bb\u4e16\uff0c\u5b8c\u7d50\u4ed6\u7684\u77ed\u66ab\u7684\u85dd\u8853\u751f\u547d\u3002\u9084\u6709\uff0c\u5176\u4ed6\u51fa\u8272\u7684\u6b4c\u5531\u5bb6\uff0c\u5982\u6709Sarastro\u548cDietrich Fischer-Dieskau\u3002
\n\"\"<\/p>\n

\u99ac\u5229\u7d0d<\/strong>(Sir Neville Marriner)\u7684\u9304\u97f3\uff0c\u662f\u6bd4\u8f03\u8fd1\u671f\u7684\u4f5c\u54c1\u88e1\u6700\u51fa\u8272\u7684\u4e00\u500b\u7248\u672c\uff0c\u662f\u8f03\u70ba\u524d\u671f\u7684\u6578\u78bc\u9304\u97f3\uff1b\u5176\u7279\u8272\u662f\u7d30\u7dfb\u5ea6\u76f8\u7576\u4e0d\u932f\u3002\u7576\u7136\uff0c\u9019\u4e00\u500b\u7248\u672c\u7684\u9663\u5bb9\uff0c\u4e5f\u662f\u76f8\u7576\u5f37\u52c1\uff0c\u5305\u62ec\u4e86\uff1aAcademy of St. Martin-in-the-Fields, Sir Neville Marriner, Kiri Te Kanawa, and Cheryl Studer\u3002\u6709\u4e00\u9ede\u503c\u5f97\u4e00\u63d0\u7684\u662f\uff0c\u9019\u4f4d\u51fa\u8272\u7684\u6307\u63ee\u7684\u9ec3\u91d1\u6642\u4ee3\u6642\u671f\u7684\u9304\u97f3\uff0c\u4e5f\u53ef\u8aaa\u662f\u83f2\u5229\u666e\u53e4\u5178\u5531\u7247\u6700\u8f1d\u714c\u7684\u65e5\u5b50\u3002
\n\"\"<\/p>\n

\u5176\u4ed6\u7684\u7248\u672c\uff0c\u5f88\u591a\u6642\u5019\u90fd\u662f\u56e0\u70ba\u6b4c\u5531\u9663\u5bb9\u6bd4\u8f03\u8584\u5f31\uff0c\u4f7f\u5f97\u6709\u591a\u597d\u7684\u6307\u63ee\u548c\u6a02\u5718\u4e5f\u662f\u9676\u7136\uff1b\u50cf\u963f\u5df4\u591a<\/strong>(Abbado)\u57282006\u5e74\u7684\u7248\u672c\u3001\u99ac\u514b\u62c9\u65af<\/strong>(Sir Charles Mackerras)\u76842001\u5e74\u7248\u672c\u3002\u96d6\u7136\u6709\u4eba\u8aaa\u99ac\u514b\u62c9\u65af<\/strong>\u624d\u662f\u6700\u597d\uff0c\u6279\u8a55\u8c9d\u59c6<\/strong>\u7248\u592a\u6162\uff0c\u4f46\u53ef\u4ee5\u80af\u5b9a\u99ac\u514b\u62c9\u65af<\/strong>\u662f\u6bd4\u8f03\u201dHi-Fi\u201d\uff0c\u4f46\u6a02\u5718\u548c\u8868\u6f14\u8005\u7684\u767c\u8072\u90fd\u662f\u4e0d\u53ca\u8c9d\u59c6<\/strong>\u7248\u7684\u7f8e\u3002
\n\"\"\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

(Note: English translation will be available later.) 提到莫札特的話，他所作的經典作品真不少，當中魔笛是其中一個百聽不厭的名作。 今日要為大家介紹的兩個版本，分別是由貝姆(Bohm)和馬利納(Sir Neville Marriner)指揮的──這兩個版本都可說是廣被肯定的範例。筆者也有聽過其他的指揮，好像其他唱片的水平，尤其在歌唱方面，有一定的距離。本人其實也希望可以找上其他的優秀盤為大家介紹。 這一歌劇要求發聲要夠厚，男聲要相對比較雄壯，也可說是對演唱者一大考驗。縱然有好的音樂，沒有一些出眾的歌唱家，是不可能達到良好的效果。 如果要數指揮莫札特的專家，貝姆(Bohm)可以說是當之無愧。若要介紹的版本，是在一九六四年收錄的，表演的樂團是柏林愛樂樂團，其特性是男聲方面特別出色──包括了溫德利希塔米諾(Fritz Wunderlich)。這位男高音是的一生是一個傳奇，更是一個悲劇，三十六歲時因一件不幸的事而去世，完結他的短暫的藝術生命。還有，其他出色的歌唱家，如有Sarastro和Dietrich Fischer-Dieskau。 馬利納(Sir Neville Marriner)的錄音，是比較近期的作品裡最出色的一個版本，是較為前期的數碼錄音；其特色是細緻度相當不錯。當然，這一個版本的陣容，也是相當強勁，包括了：Academy of St. Martin-in-the-Fields, Sir Neville Marriner, Kiri Te Kanawa, and Cheryl Studer。有一點值得一提的是，這位出色的指揮的黃金時代時期的錄音，也可說是菲利普古典唱片最輝煌的日子。 其他的版本，很多時候都是因為歌唱陣容比較薄弱，使得有多好的指揮和樂團也是陶然；像阿巴多(Abbado)在2006年的版本、馬克拉斯(Sir Charles Mackerras)的2001年版本。雖然有人說馬克拉斯才是最好，批評貝姆版太慢，但可以肯定馬克拉斯是比較”Hi-Fi”，但樂團和表演者的發聲都是不及貝姆版的美。<\/p>\n","protected":false},"author":1,"featured_media":2222,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[345],"tags":[],"class_list":["post-2539","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-appreication-notes"],"aioseo_notices":[],"yoast_head":"\nMozart: die Zauberflote - 2 Excellent Recordings - absolutemusik.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/absolutemusik.com\/en\/mozart-die-zauberflote-2-excellent-recordings\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mozart: die Zauberflote - 2 Excellent Recordings - absolutemusik.com\" \/>\n<meta property=\"og:description\" content=\"(Note: English translation will be available later.) 提到莫札特的話，他所作的經典作品真不少，當中魔笛是其中一個百聽不厭的名作。 今日要為大家介紹的兩個版本，分別是由貝姆(Bohm)和馬利納(Sir Neville Marriner)指揮的──這兩個版本都可說是廣被肯定的範例。筆者也有聽過其他的指揮，好像其他唱片的水平，尤其在歌唱方面，有一定的距離。本人其實也希望可以找上其他的優秀盤為大家介紹。 這一歌劇要求發聲要夠厚，男聲要相對比較雄壯，也可說是對演唱者一大考驗。縱然有好的音樂，沒有一些出眾的歌唱家，是不可能達到良好的效果。 如果要數指揮莫札特的專家，貝姆(Bohm)可以說是當之無愧。若要介紹的版本，是在一九六四年收錄的，表演的樂團是柏林愛樂樂團，其特性是男聲方面特別出色──包括了溫德利希塔米諾(Fritz Wunderlich)。這位男高音是的一生是一個傳奇，更是一個悲劇，三十六歲時因一件不幸的事而去世，完結他的短暫的藝術生命。還有，其他出色的歌唱家，如有Sarastro和Dietrich Fischer-Dieskau。 馬利納(Sir Neville Marriner)的錄音，是比較近期的作品裡最出色的一個版本，是較為前期的數碼錄音；其特色是細緻度相當不錯。當然，這一個版本的陣容，也是相當強勁，包括了：Academy of St. Martin-in-the-Fields, Sir Neville Marriner, Kiri Te Kanawa, and Cheryl Studer。有一點值得一提的是，這位出色的指揮的黃金時代時期的錄音，也可說是菲利普古典唱片最輝煌的日子。 其他的版本，很多時候都是因為歌唱陣容比較薄弱，使得有多好的指揮和樂團也是陶然；像阿巴多(Abbado)在2006年的版本、馬克拉斯(Sir Charles Mackerras)的2001年版本。雖然有人說馬克拉斯才是最好，批評貝姆版太慢，但可以肯定馬克拉斯是比較”Hi-Fi”，但樂團和表演者的發聲都是不及貝姆版的美。\" \/>\n<meta property=\"og:url\" content=\"https:\/\/absolutemusik.com\/en\/mozart-die-zauberflote-2-excellent-recordings\/\" \/>\n<meta property=\"og:site_name\" content=\"absolutemusik.com\" \/>\n<meta property=\"article:published_time\" content=\"2008-02-28T07:30:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-15T09:34:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/absolutemusik.com\/wp-content\/uploads\/2011\/03\/WolfgangAmadeusMozart-01.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"217\" \/>\n\t<meta property=\"og:image:height\" content=\"233\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/absolutemusik.com\/en\/mozart-die-zauberflote-2-excellent-recordings\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/mozart-die-zauberflote-2-excellent-recordings\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950\"},\"headline\":\"Mozart: die Zauberflote – 2 Excellent Recordings\",\"datePublished\":\"2008-02-28T07:30:40+00:00\",\"dateModified\":\"2023-03-15T09:34:51+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/mozart-die-zauberflote-2-excellent-recordings\/\"},\"wordCount\":44,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950\"},\"articleSection\":[\"Music Appreciation Notes (Webmaster)\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/absolutemusik.com\/en\/mozart-die-zauberflote-2-excellent-recordings\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/absolutemusik.com\/en\/mozart-die-zauberflote-2-excellent-recordings\/\",\"url\":\"https:\/\/absolutemusik.com\/en\/mozart-die-zauberflote-2-excellent-recordings\/\",\"name\":\"Mozart: die Zauberflote - 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