{"id":2541,"date":"2008-03-17T15:33:02","date_gmt":"2008-03-17T07:33:02","guid":{"rendered":"https:\/\/absolutemusik.com\/%e5%9b%9b%e5%ad%a3%e7%9a%84%e7%89%88%e6%9c%ac\/"},"modified":"2023-03-15T17:38:58","modified_gmt":"2023-03-15T09:38:58","slug":"recordings-on-four-seasons","status":"publish","type":"post","link":"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/","title":{"rendered":"Recordings on “Four Seasons”"},"content":{"rendered":"

(REMARK: English translation will be available later.)<\/p>\n

\u7b46\u8005\u4eca\u5929\u665a\u4e0a\u6709\u4e00\u9ede\u6642\u9593\u7ffb\u770b\u81ea\u5df1blog\u5167\u7684\u820a\u4f5c, \u9084\u6709\u5f88\u591a\u6539\u5584\u4e4b\u8655 – \u5e0c\u671b\u6709\u7a7a\u5f9e\u65b0\u518d\u5beb\u4e00\u904d<\/p>\n

\u4eca\u5929\u60f3\u5beb\u4e00\u4e0b\u4e7e\u5abd\u6700\u559c\u6b61\u7684\u97f3\u6a02 – \u56db\u5b63, \u70ba\u4e86\u4f7f\u5927\u5bb6\u66f4\u4e86\u89e3\u9019\u6a02\u66f2, \u4ee5\u5f8c\u7684blog\u90fd\u6703\u5148\u4ecb\u7d39\u4e00\u4e0b\u6a02\u66f2\u7684\u80cc\u666f, \u518d\u9032\u4e00\u6b65\u5206\u4eab\u4e00\u4e9b\u7b46\u8005\u5fc3\u4e2d\u7684\u512a\u79c0\u7248\u672c, \u4ee5\u4f5c\u53c3\u8003<\/p>\n

\u4f5c\u66f2\u5bb6\u97cb\u74e6\u723e\u7b2c(Antonio Vivaldi), \u56e0\u81ea\u5c0f\u8ddf\u96a8\u7236\u89aa\u5b78\u7fd2\u5c0f\u63d0\u7434, \u6545\u4ed6\u5c0d\u5f26\u6a02\u7279\u5225\u719f\u6089, \u4ed6\u4e5f\u662f\u4f5c\u5f26\u6a02\u4f5c\u54c1\u5c08\u5bb6<\/p>\n

\u56db\u5b63\u7d04\u57281725\u5e74\u5b8c\u6210, \u672c\u70ba\u4ed6\u6240\u4f5c\u5341\u4e8c\u90e8\u5354\u594f\u66f2\u96c6 \u548c\u8072\u8207\u5275\u610f\u7684\u5617\u8a66 \u4e2d\u4e4b\u524d\u56db\u9996 \u7528\u4ee5\u5448\u737b\u7d66\u99ac\u723e\u5f81\u4f2f\u7235\u6eab\u6f88\u65af\u52de \u9019\u662f\u4f5c\u66f2\u5bb6\u5354\u594f\u66f2\u4e2d\u7684\u4e00\u90e8\u4e0d\u673d\u6770\u4f5c, \u6df1\u53d7\u97f3\u8ff7\u6b61\u8fce; \u81f3\u4eca\u4ecd\u662f\u97f3\u6a02\u6703\u4e0a\u5c0f\u63d0\u7434\u5354\u594f\u66f2\u6f14\u594f\u7684\u9996\u9078\u4e4b\u4e00<\/p>\n

\u97f3\u6a02\u662f\u8ddf\u64da\u5341\u56db\u884c\u8a69\u5beb\u6210 (\u4f46\u8a69\u7684\u4f5c\u8005\u4e0d\u8a73), \u8457\u529b\u65bc\u5c0d\u81ea\u7136\u7684\u63cf\u8ff0, \u5c6c\u6a19\u984c\u6027\u97f3\u6a02 \u56db\u66f2\u5206\u5225\u662f:\uff45\u5927\u8abf\u7b2c\u4e00\u865f\u3000\u6625 (RV269); G\u5c0f\u8abf\u7b2c\u4e8c\u865f\u3000\u590f\u3000(RV315) F\u5927\u8abf\u7b2c\u4e09\u865f\u3000\u79cb\u3000(RV293) ; F\u5c0f\u8abf\u7b2c\u56db\u865f\u3000\u51ac\u3000(RV297)<\/p>\n

\u7b46\u8005\u672c\u8eab\u60f3\u4ecb\u7d39\u7684\u7248\u672c\u6709\u56db\u500b
\n1. Perlman
\n2. Accardo
\n3. Kennedy
\n4. Pina Carmirelli<\/p>\n

1. Perlman\u7684\u7248\u672c
\n\"\"
\n\u4e00\u958b\u59cb\u4ecb\u7d39\u7684, \u662f\u7b46\u8005\u8a8d\u70ba\u9019\u662f\u4e00\u500b\u8f03\u70ba\u4ee4\u4eba\u5931\u671b\u7684 \u5927\u5e2b\u7248\u672c \u96d6\u7136\u7531\u982d\u5230\u5c3e\u5404\u500b\u90e8\u4efd, \u90fd\u53ef\u4ee5\u6709\u4e0d\u932f\u7684\u97f3\u8272, \u4f46\u6bd4\u5176\u4ed6\u591a\u4f4d\u5927\u5e2b\u90fd\u8981\u5feb (\u9664\u4e86\u602a\u5091Kennedy\u4ee5\u5916) \u53e6\u4e00\u65b9\u9762, \u6709\u4e9b\u9700\u8981\u589e\u52a0\u529b\u5ea6\u7684\u90e8\u4efd, \u5982 \u6625 \u7684\u7b2c\u4e00\u6bb5\u5c11\u4e86\u4e00\u4efd\u751f\u547d\u529b, \u597d\u50cf\u5e73\u5e73\u7684\u62c9\u51fa – \u5230\u4e86 \u51ac , \u53c8\u597d\u50cf\u5c11\u4e86\u90a3\u4e9b\u5bd2\u51b7\u7684\u611f\u89ba \u6bcf\u4e00\u500b\u90e8\u4efd, \u90fd\u597d\u50cf\u5e73\u5e73\u6de1\u6de1, \u7f3a\u5c11\u4e86\u56db\u500b\u5b63\u7bc0\u70ba\u984c\u7684\u8b8a\u5316<\/p>\n

2. Accardo\u7684\u7248\u672c
\n\"\"
\n\u7b46\u8005\u4ecb\u7d39\u5c0f\u63d0\u7434\u7684\u975a\u8072\u5531\u7247, \u5f88\u591a\u6642\u5019\u90fd\u6709accardo\u7684\u6f14\u594f – \u4e3b\u8981\u539f\u56e0\u662f\u4ed6\u662f\u5178\u578b\u7684singing tone\u7434\u624b, \u97f3\u8272\u7279\u5225\u7f8e \u56db\u5b63 \u672c\u8eab\u5beb\u5f97\u65cb\u5f8b\u662f\u7c21\u55ae\u800c\u512a\u7f8e, \u6709\u5229\u65bcsinging tone\u7434\u624b\u7684\u767c\u63ee<\/p>\n

\u4ed6\u5728\u56db\u5b63\u7684\u5404\u500b\u90e8\u4efd, \u9020\u53e5\u65b9\u9762, \u7121\u8b02\u662f\u97f3\u91cf \u901f\u5ea6 \u7684\u63a7\u5236, \u90fd\u505a\u5f97\u4e0d\u932f \u9084\u6709\u503c\u5f97\u4e00\u63d0\u7684\u662f, \u9019\u4e00\u5531\u7247\u9304\u88fd\u7684\u7434\u97f3, \u90fd\u662f\u51fa\u81ea\u7531\u4ed6\u6311\u9078\u7684\u610f\u5927\u5229\u9020\u7434\u5927\u5e2b Antonio Stradivari \u7684\u5091\u4f5c \u540d\u7434\u914d\u540d\u5e2b, \u8072\u97f3\u4e4b\u7f8e, \u5be6\u662f\u5728\u56db\u5b63\u5404\u500b\u9304\u97f3\u4e2d\u9bae\u6709\u7684<\/p>\n

3. Kennedy\u7684\u7248\u672c
\n\"\"
\n\u9019\u4e00\u500b\u7531kennedy\u6f14\u594f\u7684\u7248\u672c, \u5f88\u591a\u4eba\u807d\u5f8c\u7684\u7b2c\u4e00\u500b\u5370\u8c61\u662f\u6975\u5ea6\u53cd\u611f, \u4e3b\u8981\u901f\u5ea6\u662f\u7570\u5e38\u7684\u5feb \u70ba\u4f55\u7b46\u8005\u6703\u4ecb\u7d39\u9019\u4e00”\u602a\u7248”? \u5982\u679c\u591a\u807d\u9019\u7248\u672c\u4e00\u5169\u6b21\u7684\u8a71, \u53ef\u80fd\u6709\u53e6\u4e00\u7a2e\u9ad4\u6703 \u4ed6\u7684\u7248\u672c, \u8ddfperlman\u5404\u7570\u5947\u8da3, \u5728\u5f88\u591a\u6bb5\u5982 \u51ac \u7684\u4e00\u958b\u59cb, \u4fbf\u611f\u53d7\u5230kennedy\u7684\u529b\u91cf, \u62c9\u594f\u7684\u529b\u5ea6\u662f\u975e\u5e38\u7684\u5927, \u97f3\u91cf\u6709\u5920\u5927<\/p>\n

\u5f9e\u50b3\u7d71\u7684\u89d2\u5ea6\u770b, kennedy\u7684\u7248\u672c, \u7d55\u5c0d\u4e0d\u5408\u683c; \u4f46\u7528\u610f\u666f\u65b9\u9762\u51fa\u767c, \u4ed6\u6bd4\u5f88\u591a\u5176\u4ed6\u7684\u6f14\u594f, \u66f4\u80fd\u8868\u9054\u56db\u5b63\u7684\u8b8a\u5316<\/p>\n

4. Pina Carmirelli\u7684\u7248\u672c
\n\"\"
\n\u5927\u90e8\u4efd\u559c\u6b61\u56db\u5b63\u5531\u7247\u7684\u767c\u71d2\u53cb, \u90fd\u597d\u50cf\u5fc5\u5099accardo\u548cCarmirelli\u7684\u7248\u672c, \u897f\u65b9\u7684\u6a02\u8a55\u4eba\u5927\u90fd\u8996\u4ee5\u4e0a\u7684\u5169\u53ea\u5531\u7247\u70ba\u7d93\u5178\u4e2d\u7684\u7d93\u5178 \u500b\u4eba\u8a8d\u767c\u97f3\u65b9\u9762, \u9019\u4e00\u7248\u672c\u96d6\u7f8e, \u4f46\u4e0d\u53caaccardo\u7684singing tone \u53ef\u662f, \u9019\u4e00\u500b\u7248\u672c, \u662f\u7b46\u8005\u500b\u4eba\u8a8d\u70ba, \u97f3\u97ff\u5de5\u7a0b\u505a\u5f97\u6700\u597d\u7684\u4e00\u500b\u7248\u672c, \u7528\u9999\u6e2f\u767c\u71d2\u53cb\u7684\u8a9e\u8a00\u5c31\u662f – “\u5920hi-fi”<\/p>\n

\u5176\u5be6, \u9084\u6709\u5176\u4ed6\u503c\u5f97\u6ce8\u610f\u7684\u7248\u672c, \u5305\u62ec\u5973\u7434\u624bmutter\u5e74\u8f15\u6642\u7684\u7248\u672c, \u4f46\u672c\u4eba\u53ea\u53ef\u8aaa\u662f\u4e2d\u4e0a, \u6c92\u6709\u4ee5\u4e0a\u7248\u672c\u7684\u7a81\u51fa…<\/p>\n

\"\" \u00a0\"\"\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

(REMARK: English translation will be available later.) 筆者今天晚上有一點時間翻看自己blog內的舊作, 還有很多改善之處 – 希望有空從新再寫一遍 今天想寫一下乾媽最喜歡的音樂 – 四季, 為了使大家更了解這樂曲, 以後的blog都會先介紹一下樂曲的背景, 再進一步分享一些筆者心中的優秀版本, 以作參考 作曲家韋瓦爾第(Antonio Vivaldi), 因自小跟隨父親學習小提琴, 故他對弦樂特別熟悉, 他也是作弦樂作品專家 四季約在1725年完成, 本為他所作十二部協奏曲集 和聲與創意的嘗試 中之前四首 用以呈獻給馬爾征伯爵溫澈斯勞 這是作曲家協奏曲中的一部不朽杰作, 深受音迷歡迎; 至今仍是音樂會上小提琴協奏曲演奏的首選之一 音樂是跟據十四行詩寫成 (但詩的作者不詳), 著力於對自然的描述, 屬標題性音樂 四曲分別是:ｅ大調第一號　春 (RV269); G小調第二號　夏　(RV315) F大調第三號　秋　(RV293) ; F小調第四號　冬　(RV297) 筆者本身想介紹的版本有四個 1. Perlman 2. Accardo 3. Kennedy 4. Pina Carmirelli 1. Perlman的版本 一開始介紹的, 是筆者認為這是一個較為令人失望的 […]<\/p>\n","protected":false},"author":1,"featured_media":2195,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[345],"tags":[347,348,349,350],"class_list":["post-2541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-appreication-notes","tag-antonio-vivaldi-en-2","tag-four-seasons-en-2","tag--en"],"aioseo_notices":[],"yoast_head":"\nRecordings on "Four Seasons" - absolutemusik.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recordings on "Four Seasons" - absolutemusik.com\" \/>\n<meta property=\"og:description\" content=\"(REMARK: English translation will be available later.) 筆者今天晚上有一點時間翻看自己blog內的舊作, 還有很多改善之處 – 希望有空從新再寫一遍 今天想寫一下乾媽最喜歡的音樂 – 四季, 為了使大家更了解這樂曲, 以後的blog都會先介紹一下樂曲的背景, 再進一步分享一些筆者心中的優秀版本, 以作參考 作曲家韋瓦爾第(Antonio Vivaldi), 因自小跟隨父親學習小提琴, 故他對弦樂特別熟悉, 他也是作弦樂作品專家 四季約在1725年完成, 本為他所作十二部協奏曲集 和聲與創意的嘗試 中之前四首 用以呈獻給馬爾征伯爵溫澈斯勞 這是作曲家協奏曲中的一部不朽杰作, 深受音迷歡迎; 至今仍是音樂會上小提琴協奏曲演奏的首選之一 音樂是跟據十四行詩寫成 (但詩的作者不詳), 著力於對自然的描述, 屬標題性音樂 四曲分別是:ｅ大調第一號　春 (RV269); G小調第二號　夏　(RV315) F大調第三號　秋　(RV293) ; F小調第四號　冬　(RV297) 筆者本身想介紹的版本有四個 1. Perlman 2. Accardo 3. Kennedy 4. Pina Carmirelli 1. Perlman的版本 一開始介紹的, 是筆者認為這是一個較為令人失望的 […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/\" \/>\n<meta property=\"og:site_name\" content=\"absolutemusik.com\" \/>\n<meta property=\"article:published_time\" content=\"2008-03-17T07:33:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-15T09:38:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/absolutemusik.com\/wp-content\/uploads\/2011\/03\/Orchestra-Wallpapers-7.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"640\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950\"},\"headline\":\"Recordings on “Four Seasons”\",\"datePublished\":\"2008-03-17T07:33:02+00:00\",\"dateModified\":\"2023-03-15T09:38:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/\"},\"wordCount\":56,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950\"},\"keywords\":[\"Antonio Vivaldi\",\"four seasons\",\"\u56db\u5b63\",\"\u97cb\u74e6\u723e\u7b2c\"],\"articleSection\":[\"Music Appreciation Notes (Webmaster)\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/\",\"url\":\"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/\",\"name\":\"Recordings on \\\"Four Seasons\\\" - absolutemusik.com\",\"isPartOf\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/#website\"},\"datePublished\":\"2008-03-17T07:33:02+00:00\",\"dateModified\":\"2023-03-15T09:38:58+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/absolutemusik.com\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Recordings on “Four Seasons”\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/absolutemusik.com\/en\/#website\",\"url\":\"https:\/\/absolutemusik.com\/en\/\",\"name\":\"absolutemusik.com\",\"description\":\"A portal for music appreciation\",\"publisher\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/absolutemusik.com\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/absolutemusik.com\/wp-content\/uploads\/2023\/03\/cropped-absolutemusik_logo.jpg\",\"contentUrl\":\"https:\/\/absolutemusik.com\/wp-content\/uploads\/2023\/03\/cropped-absolutemusik_logo.jpg\",\"width\":300,\"height\":70,\"caption\":\"admin\"},\"logo\":{\"@id\":\"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/image\/\"},\"sameAs\":[\"http:\/\/absolutemusik.com\"],\"url\":\"https:\/\/absolutemusik.com\/en\/author\/admin\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Recordings on \"Four Seasons\" - absolutemusik.com","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/","og_locale":"en_US","og_type":"article","og_title":"Recordings on \"Four Seasons\" - absolutemusik.com","og_description":"(REMARK: English translation will be available later.) 筆者今天晚上有一點時間翻看自己blog內的舊作, 還有很多改善之處 – 希望有空從新再寫一遍 今天想寫一下乾媽最喜歡的音樂 – 四季, 為了使大家更了解這樂曲, 以後的blog都會先介紹一下樂曲的背景, 再進一步分享一些筆者心中的優秀版本, 以作參考 作曲家韋瓦爾第(Antonio Vivaldi), 因自小跟隨父親學習小提琴, 故他對弦樂特別熟悉, 他也是作弦樂作品專家 四季約在1725年完成, 本為他所作十二部協奏曲集 和聲與創意的嘗試 中之前四首 用以呈獻給馬爾征伯爵溫澈斯勞 這是作曲家協奏曲中的一部不朽杰作, 深受音迷歡迎; 至今仍是音樂會上小提琴協奏曲演奏的首選之一 音樂是跟據十四行詩寫成 (但詩的作者不詳), 著力於對自然的描述, 屬標題性音樂 四曲分別是:ｅ大調第一號　春 (RV269); G小調第二號　夏　(RV315) F大調第三號　秋　(RV293) ; F小調第四號　冬　(RV297) 筆者本身想介紹的版本有四個 1. Perlman 2. Accardo 3. Kennedy 4. Pina Carmirelli 1. Perlman的版本 一開始介紹的, 是筆者認為這是一個較為令人失望的 […]","og_url":"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/","og_site_name":"absolutemusik.com","article_published_time":"2008-03-17T07:33:02+00:00","article_modified_time":"2023-03-15T09:38:58+00:00","og_image":[{"width":1024,"height":640,"url":"https:\/\/absolutemusik.com\/wp-content\/uploads\/2011\/03\/Orchestra-Wallpapers-7.jpg","type":"image\/jpeg"}],"author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/#article","isPartOf":{"@id":"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/"},"author":{"name":"admin","@id":"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950"},"headline":"Recordings on “Four Seasons”","datePublished":"2008-03-17T07:33:02+00:00","dateModified":"2023-03-15T09:38:58+00:00","mainEntityOfPage":{"@id":"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/"},"wordCount":56,"commentCount":0,"publisher":{"@id":"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950"},"keywords":["Antonio Vivaldi","four seasons","\u56db\u5b63","\u97cb\u74e6\u723e\u7b2c"],"articleSection":["Music Appreciation Notes (Webmaster)"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/","url":"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/","name":"Recordings on \"Four Seasons\" - absolutemusik.com","isPartOf":{"@id":"https:\/\/absolutemusik.com\/en\/#website"},"datePublished":"2008-03-17T07:33:02+00:00","dateModified":"2023-03-15T09:38:58+00:00","breadcrumb":{"@id":"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/absolutemusik.com\/en\/recordings-on-four-seasons\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/absolutemusik.com\/en\/"},{"@type":"ListItem","position":2,"name":"Recordings on “Four Seasons”"}]},{"@type":"WebSite","@id":"https:\/\/absolutemusik.com\/en\/#website","url":"https:\/\/absolutemusik.com\/en\/","name":"absolutemusik.com","description":"A portal for music appreciation","publisher":{"@id":"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/absolutemusik.com\/en\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":["Person","Organization"],"@id":"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/9c0ce0ceb993b9ec0ca2339d65245950","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/image\/","url":"https:\/\/absolutemusik.com\/wp-content\/uploads\/2023\/03\/cropped-absolutemusik_logo.jpg","contentUrl":"https:\/\/absolutemusik.com\/wp-content\/uploads\/2023\/03\/cropped-absolutemusik_logo.jpg","width":300,"height":70,"caption":"admin"},"logo":{"@id":"https:\/\/absolutemusik.com\/en\/#\/schema\/person\/image\/"},"sameAs":["http:\/\/absolutemusik.com"],"url":"https:\/\/absolutemusik.com\/en\/author\/admin\/"}]}},"_links":{"self":[{"href":"https:\/\/absolutemusik.com\/en\/wp-json\/wp\/v2\/posts\/2541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/absolutemusik.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/absolutemusik.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/absolutemusik.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/absolutemusik.com\/en\/wp-json\/wp\/v2\/comments?post=2541"}],"version-history":[{"count":2,"href":"https:\/\/absolutemusik.com\/en\/wp-json\/wp\/v2\/posts\/2541\/revisions"}],"predecessor-version":[{"id":2543,"href":"https:\/\/absolutemusik.com\/en\/wp-json\/wp\/v2\/posts\/2541\/revisions\/2543"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/absolutemusik.com\/en\/wp-json\/wp\/v2\/media\/2195"}],"wp:attachment":[{"href":"https:\/\/absolutemusik.com\/en\/wp-json\/wp\/v2\/media?parent=2541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/absolutemusik.com\/en\/wp-json\/wp\/v2\/categories?post=2541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/absolutemusik.com\/en\/wp-json\/wp\/v2\/tags?post=2541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}